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Mortar and pestle. Bronze. 17th century. Mortar with a circular base, cylindrical body and mouth slightly flared outwards, decorated with a series of smooth horizontal mouldings arranged both at the bottom and at the top and with some simple vertical elements (which still maintain slight balustrade shapes) derived from the ribs that these specimens used to have in the medieval Spanish school.
· Size: 13x13x8,5 cms
ANTIQUES
Ref.: ZF0966
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Poseidon or Neptune with a hippocampus. Enameled porcelain. Europe, 19th century. A glazed porcelain figurine with a circular base, decorated with openwork elements and Rococo-inspired motifs enhanced with touches of gold, depicting a bearded, half-naked male figure, standing, in a purple and white cloak, accompanied by a half-horse, half-fish monster. The character is the classical god Poseidon or Neptune, and the creature is known as a hippocampus. This type of work was common in several prominent porcelain factories throughout the 19th century, especially Meissen, but also Chelsea (whose brand name is an anchor) or Samson, for example.
· Size: 6x7x15 cms.
ANTIQUES
Ref.: ZF0995
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Baluster vase. Porcelain. Taisho period, Japan, 1912-1926. With marks on the base. Baluster vase (due to its shape) made of brown glazed Hirado porcelain with iron oxide varnish and two sceptre-shaped handles on top. Hirado is a type of porcelain made mainly in Mikawachi, Sasebo and Nagasaki, in the former feudal territory of Hirado, owner of the kilns and responsible for production. The Taisho period was that under the government of the emperor of the same name, and lasted from July 30, 1912 to December 25, 1926.
· Size: 15x15x27 cms.
ANTIQUES
Ref.: ZF1109
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Oriental card holder. Ivory. 19th century. Rectangular card holder with opening on one of the smaller sides, made of ivory and decorated with bas-reliefs on its two main fronts. Garden scenes with pavilions and characters with a clear Chinese influence are presented within four mixtilinear shapes (the largest in the body area, the smallest on the lid). This piece is reminiscent of Canton card holders made to be exported to the West in the same material and with a very similar decoration. It has some damage.
· Size: 5.5x0.7x9.5 cms.
ANTIQUES
Ref.: ZF0584D
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Oriental card holder. Ivory. 19th century. Rectangular card holder with an opening on one of the smaller sides, made of ivory and decorated with bas-reliefs on both sides. A scene with characters set in a garden with pavilions (of clear Chinese influence) is framed within two mixed-linear areas, the largest located on the body of the piece and the smallest on the lid; note the similarity of the decoration on both sides. It is also necessary to compare this work with works from Canton made for export to the West in the 19th century.
· Size: 6x0.6x9.5 cms.
ANTIQUES
Ref.: ZF0586A
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Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 3 pcs. Price per unit.
· Size: 290x30 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3485C
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Devotional medal, Saint James the Apostle. Gilt bronze. 17th century. Openwork devotional medal with the image of Saint James the Apostle in the centre, on a pedestal and holding a staff and a book, surrounded by a wreath of leaves tied with two bows above and below. Similar examples can be found in the Museum of Pilgrimages in Santiago de Compostela.
· Size: 5x0.5x6 cms.
ANTIQUES
Ref.: Z5091
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Bronze Candlestick 16th century
· Size: 10,5x10,5x12 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z5735
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Wall-mounted holy font. Bronze. Spain, 17th century. Small font for holy water designed to be placed on a wall, which has a container decorated with mouldings and architectural elements and a plaque, at the top, cut out with plant and architectural elements highlighting two angels with elements of the Passion and an image of the Virgin Mary (with iconography of the Immaculate) with the Child Jesus.
· Size: 7,5x9x22 cms
ANTIQUES
Ref.: ZF0928
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Triangular spice rack. Glazed ceramic. Talavera de la Reina, Spain, 17th century. It has damage. Triangular spice rack made of glazed ceramic decorated with a relief element in the centre of the three fronts and a series of motifs painted in brown, yellow and green on the top and on these fronts. Typologically, this is a very common model in the workshops of Talavera de la Reina, although not exclusive to this centre.
· Size: 14x13x5 cms.
ANTIQUES
Ref.: ZF0940
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Jug. Glass, silver-plated metal. Possibly WMF, Germany. Circa 1900. With contrasting marks (handle). Jug with a transparent glass body decorated with geometric elements, a circular base, a globular body and a high cylindrical neck, which has a silver-plated metal handle with a “C” shape on the top. It has a decoration of architectural and plant elements with a marked classicist and Renaissance character, as well as a protomos with a horse’s front legs next to the top edge of the jug’s lid. The marks, present on the outer edge of the handle, would surely link the piece to the Württembergische Metallwarenfabrik or WMF. In 1853 Daniel Straub and the Schweizer brothers established a metalworks factory called Straub & Schweizer, which achieved recognition at the London Exhibition as early as 1862, and opened its first shop in Berlin in 1868. In 1880 they merged with Metallwarenfabrik Ritter & Co. to form the Württembergische Metallwarenfabrik (WMF), which is still in operation today. Weight: 0.9 kg.
· Size: 16x13x30 cms
ANTIQUES
Ref.: ZF1099
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Coffee set. Enameled porcelain. Royal Vienna, Austria, early 20th century. With marks on the base of the pieces. Two cups broken. Enameled porcelain coffee set consisting of a tray, six cups and saucers, a sugar bowl with lid and a jug with lid. Although the classicist influence in the piece is clear (golden garlands, shapes, plant elements, colours, etc.), it is necessary to point out that the tray was inspired by the oil painting by George Sheridan Knowles in 1908 and entitled “Summer Pleasures on The River”. Royal Vienna is a certain style of porcelain related to the porcelain made in Vienna (Kaiserlich privilegierte Porcellain Fabrique) founded in 1718 by Claude du Paquier, an official of the imperial court in Vienna. It was closed in 1864, but its name was recovered by the Vienna Porcelain Factory Augarten in 1923.
· Size: 32x32x15 cms.
ANTIQUES
Ref.: ZF1147
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Carved silver box, 20th century. Small silver box carved with a wide variety of motifs, all belonging to different artistic traditions based on Roman classicism. On the lid, two musicians appear framed in a decoration made up of figures and plant and architectural elements. The front shows garlands of flowers and leaves and scroll shields. The base is decorated with scallops, flowers and plant elements. These types of pieces were used to store various objects, and were usually carried or left on the dressing table, belonging in all cases to people of importance due to the quality of the work and the material with which they were made. Weight: 300 gr
· Size: 11,5x6,5x4 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: Z0327
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Candlestick, 16th century In bronze. Candlestick in polished bronze with a wide circular base from which a conical trunk emerges, opening into a smooth plate that holds the candle holder. A Renaissance-era candlestick with a sober design, without ornamentation except for the subtle mouldings on the plate.
· Size: 10x10x10 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z5751B
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Serving cutlery in a case. Silver, gilt silver, textile, etc. Puiforcat, France, circa 1900. With contrast marks. Pair of serving cutlery with a silver handle in its colour and the other part gilded, decorated with engraved and embossed elements in the neoclassical tradition, and openwork areas with plant elements. Émile Puiforcat, when he took over his uncle's company, registered the hallmark that the firm still uses today (a knife flanked by the letters E and P). The rectangular case, with clasps at the front, features a strip referring to a Brussels jewellery and goldsmith's shop called De Coster Paternoster (located at 128 rue Royale), which sold notable pieces such as diamond earrings, cufflinks, etc. Weight: 296 grams.
· Size: 5x1,5x32 cms
ANTIQUES
Ref.: ZF1309
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Oriental figure. Hard stones. 20th century. Stylized figure made of hard stone in white and orange colors, with striking tonal variations, which perhaps represents one of the Eight Immortals of the Taoist pantheon, specifically He Xiangu (who is usually shown holding a lotus flower, sometimes also accompanied by a sheng, or by a mythological bird called fenghuang).
· Size: 4,5x2,5x17 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6142A
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Oriental figure. Hard stones. 20th century. Stylized figure made of dark-colored hard stone, with some veins in lighter colors, which perhaps represents one of the Eight Immortals of the Taoist pantheon, specifically He Xiangu (who is usually shown holding a lotus flower, sometimes also accompanied by a sheng, or by a mythological bird called fenghuang).
· Size: 4,5x3x16 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6142B
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Mortar and pestle. Bronze. 20th century. Open-edged cylindrical mortar with two handles, banded decoration on the outside (scrolls and birds; floral details; inscription in capital letters “JAN – HEINRICK – TER – HYLICE – EECITE – ANNO – 1641”) and a base that is also slightly inclined outwards. The tubular pestle has engraved lines and mouldings. Stylistically, this piece is inspired by European works of the 17th century. Weight: 3.9 kg.
· Size: 21.5x18x13 cms.
ANTIQUES
Ref.: ZF0558
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Devotional plaque. Bronze. Spanish school, 17th century. Oval-shaped bronze devotional plaque with a circular washer at the top featuring a figurative relief decoration within a frame of smooth mouldings with a string of pearls. The subject shown is that of the Imposition of the Stigmata on Saint Francis of Assisi. Weight: 164 grams.
· Size: 7,6x0,9x11,9 cms.
ANTIQUES
Ref.: ZF117104
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Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 4 pcs Price per unit.
· Size: Longitudes:194-266 cms
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3485A
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Bronze peace bearer. The plaque that forms this element, used in ancient times in mass to give the kiss of peace with decorum, has been decorated with various reliefs: in the lower part, vegetal scrolls, vine leaves, bunches of grapes and ears of wheat, in clear allusion to the Eucharist; a semicircular arch under a palm-shaped finial highlighted with scrolls; and, in the centre, a relief of the Deesis: Christ on the Cross, flanked by the Virgin Mary and Saint John the Evangelist. The decorative motifs of this work, like the figures, show a clear influence from classical antiquity.
· Size: 10,5x0,5x14,5 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6658D
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Devotional plaque, Immaculate Conception. Bronze. Spanish school, 17th century. Bronze devotional plaque with a washer on the top, which features a relief on the front. In it, the Virgin Mary can be seen on a crescent moon, surrounded by light and joining her hands in a gesture of prayer, and with the Franciscan cord (eight knots) around it, linking this medal to the Franciscan Order. This is a frequent iconography and representation on devotional plaques and medals since the Baroque period (similar examples are preserved in institutions such as the Lázaro Galdiano Museum, etc.). Weight: 133 grams.
· Size: 7x0,7x11 cms.
ANTIQUES
Ref.: ZF117103
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Devotional plaque, Adoration of the Magi. Bronze. Spanish school, 17th century. Rectangular devotional plaque made of bronze, which presents in relief the scene of the Birth of Jesus. The Virgin Mary has the Child standing on her knees in the foreground, and they are surrounded by various figures among which the Three Wise Men and Saint Joseph can be seen; towards the background, there are some architectures with a classicist influence. Weight: 156 grams.
· Size: 6,9x0,5x10,8 cms.
ANTIQUES
Ref.: ZF117109
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Ring knocker. Wrought iron. Spanish school, 16th century. Door knocker made of wrought iron and, due to its shape, corresponding to the type known as a ring door knocker. It has a decoration on the front based on lines engraved in the metal that intersect. Weight: 0.9 kg.
· Size: 11x2x12 cms.
ANTIQUES
Ref.: Z0758B