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· Size: 48x2x36 cms
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z1216A
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Our Lady of Sorrows with Saint John. Framed lithograph. 20th century. Religious scene showing the Virgin Mary crying, as Dolorosa, supported by Saint John. Stylistically, influences of neoclassicism can be clearly seen (predominance of drawing, composition, etc.).
· Size: EXT 65x4x80 cms. INT 54x68 cms.
DECORATIVE ANTIQUES
Ref.: ZT0043
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Landscape. Oil on panel. 20th century. Mountainous landscape executed using a very loose technique, with a clear predominance of colour and brushstrokes (marked, with variations in the material load, moved) over the drawing, practically absent from the composition, also playing with light and shadows and the way in which these influence the subject shown. The influence of certain novelties brought by the pictorial avant-gardes that began to emerge from the end of the 19th century (Impressionism, etc.) is clear.
· Size: int 32x23 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z5820A20
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Birds. Framed watercolor. 20th century. Watercolor showing two birds, perhaps thrushes, perched on the branch of a flowering tree, with no background in the composition, reminiscent of old biology books. The work is unsigned.
· Size: 21,5x0,1x31 cms
DECORATIVE ANTIQUES
Ref.: Z0790
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"
· Size: 14x16,5 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4427
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Two carriage scenes; “Christmas Eve. The top of the Hill” and “News of Waterloo! On the Great North Road: June 1815”. Framed lithographs. After WRIGHT, George (England, 1860-1944). George Wright was one of the leading equestrian artists of his time, specialising in hunting, carts and carriages, horses, races, etc. A self-taught artist like the rest of his family, little is known about his life. In 1925 he was in the pay of Ackermanns (England) and Grand Central Galleries (New York, United States of America), two very important lithograph publishing companies. His work is preserved in important private collections and institutions such as the Walker Art Gallery (UK), etc.
· Size: 51x4,5x41 cms. INT 15x23 cms.
DECORATIVE ANTIQUES
Ref.: ZT0047
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Blue-and-yellow macaw or Ara ararauna. Framed watercolour. 20th century. Framed watercolor showing a blue and yellow macaw perched on a branch leaning towards some fruit. Aesthetically, it is reminiscent of natural-themed prints from the first half of the 19th century.
· Size: 24x2,5x29 cms. INT 21x16 cms.
DECORATIVE ANTIQUES
Ref.: ZT0050
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Landscape. Oil on cardboard. Spanish School (P. Font), 1969. Signed (lower left); titled, signed and dated (back). Wooded landscape with a human figure (male due to his clothing) done with a treatment that shows clear influences from certain European pictorial avant-gardes of the 20th century (predominance of colour, absence of drawing, notable brushstrokes, colour, composition, theme, etc.).
· Size: 45x0,5x35,5 cms
DECORATIVE ANTIQUES
Ref.: Z4480
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Abstract composition, “Rose”. Framed print. BETTINARDI, Graziella (20th century). Signed (lower right area). Composition with an abstract theme and treatment with a predominance of pink tones in which several figurative elements (trees, crescent moon, geometric shapes) can be seen arranged in a square manner.
· Size: 84x2x63 cms
DECORATIVE ANTIQUES
Ref.: ZE423
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Pair of framed prints, “Montpelier” and “Raglan Castle”. Engraving by TINGLE, James; after works by GASTINEAU, Henry. Possibly first half of the 19th century. Pair of framed prints identified by a series of texts that appear under the landscapes shown. The one entitled “Raglan Castle” is indicated as an engraving by J. Tingle (name next to number 15), based on a drawing or work by H. Gastineau. Henry Gastineau (1791-1876) was a very prolific English painter and engraver, specialized in watercolours, trained at the Royal Academy in London. James Tingle (1790-1858/60) was an English engraver. The plate entitled “Montpelier” bears the same names (with the number 11 in this case).
· Size: 34x3x29 cms. INT 64x43 cms.
DECORATIVE ANTIQUES
Ref.: ZT0055
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“Le Harle”. Framed colour engraving. Wood, paper, etc. 19th century. Coloured engraving of a bird perched on a coastal background with a fortification in the background, inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves. The French name “harle” refers to a group of species from the Anatidae family.
· Size: 32x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764A
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“Anas Americana”. Framed colour engraving. Wood, paper, etc. 20th century. The American Wigeon (formerly known as Anas Americana, later renamed Mareca Americana) is an anseriform bird native to North America. The engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764B
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“Aythya Ferina” (European Pochard). Framed colour engraving. Wood, paper, etc. 20th century. The European pochard, also known as the common pochard, is an anseriform bird of the Anatidae family that lives in Eurasia and Africa. The engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764C
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“Le Cannard Femelle ou La Cane” (Pata). Framed color engraving. Wood, paper, etc. 20th century. Entitled “The Female Duck” (“cane” is the French name for the female duck), this engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that deserves a work of art (note the details, the background, etc.).
· Size: 32,5x5x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764D
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“La Sarcelle, mâle” (male duck). Framed colour engraving. Wood, paper, etc. 20th century. In French, the term “sarcelle” refers to certain small-sized surface ducks. This engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves (note the details, the background, etc.).
· Size: 32,5x3x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764E
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“Le Dindon” (The male turkey). Framed colour engraving. Wood, paper, etc. 20th century. In French, the male turkey is known as “dindon”, but note that another bird appears a little further in the background. This engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves (note the details, the background, etc.).
· Size: 32.5x3x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4764F
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Cardinal Infante Ferdinand of Austria. Framed engraving. 1870. National Chalcography (Spain); Gangoiti, Juan de (1816-1878); Maura Montaner, Bartolomé (1844-1926). Framed engraving based on the portrait of Cardinal-Infante Ferdinand of Austria as a hunter painted by Diego Rodríguez de Silva y Velázquez between 1632 and 1634, which is kept in the Museo del Prado in Madrid (Spain). This is an 1870 edition of the National Chalcography of Spain, of which the National Library of Madrid keeps the preparatory drawing.
· Size: 42,5x1,5x55 cms. Int 15x27,5 cms
DECORATIVE ANTIQUES
Ref.: Z4417
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Raphael Mengs. Framed engraving. Spain, 1780. Engraving with a portrait of the neoclassical painter and theorist Anton Raphael Mengs (Aussig, Bohemia, March 12, 1728 - Rome, June 29, 1779). It belongs to a series dated 1870, apparently produced by the Calcografía Nacional, and is believed to have been inspired by an oil self-portrait by Mengs. Some sources indicate that it was a print engraved by Manuel Salvador Carmona.
· Size: 43x1,5x55 cms. Int 14x20 cms
DECORATIVE ANTIQUES
Ref.: Z4418
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In Baja. Framed engraving. Spain, 1874. Print created by José María Galván (Madrid, 1837-Madrid, 1899), which would appear with number 47 in the first volume of El Grabador al Aguaferte, sold in the twelfth issue of 1874. This collection was published by the Society of Artists, and the printer was Calcografía Nacional.
· Size: 42,5x1,5x57 cms. Int 22x28 cms
DECORATIVE ANTIQUES
Ref.: Z4420
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Mars. Framed engraving. Pineda. Spain, 1876. Engraving of the god Mars after the painting by Velázquez, preserved in the Prado Museum in Madrid. It is said to be print number 4 in the third volume of El Grabador al Aguafuerte, sold in the first issue in 1876. The engraver's surname was Pineda and the printer was Calcografía Nacional.
· Size: 42,5x1,5x57 cms
DECORATIVE ANTIQUES
Ref.: Z4421
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Self-portrait by Esteban March (attributed). Framed engraving. MAURA Y MONTANER, Bartolomé. Spain, 1874. Engraving inspired by a painting considered a self-portrait that in the 19th century was believed to be by Esteban March (as indicated by the inscription), but which is now attributed to Orazio Borgianni. It was originally published as number thirteen, in the first volume of El Grabador al Aguafuerte, put on sale in the fourth issue of 1874. The copper plate is preserved in the Calcografía Nacional of Madrid (R. 5072), the printer of the work. It was published by the Society of Artists.
· Size: 43x1,5x58 cms. Int 22x27,5 cms
DECORATIVE ANTIQUES
Ref.: Z4423
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Portrait. Framed engraving. Spain, possibly 1870s. Male portrait based on a design by Bernardo Blanco y Pérez (Madrid, 1828-1876) made by Juan José Martínez de Espinosa y Tacón (Cádiz, 1826-?; active in Madrid 1856-1876), as indicated in the area below the image. Below the oval, there is a signature.
· Size: 43x1,5x55 cms. Int 20x23 cms
DECORATIVE ANTIQUES
Ref.: Z4424
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· Size: 53x3x61 cms.
DECORATIVE ANTIQUES
Ref.: Z4446
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Mahogany framing
· Size: 52x3x62 cms.
DECORATIVE ANTIQUES
Ref.: Z4447
