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Frame. Carved, polychrome and gilded wood. 18th century. It has faults. Rectangular frame made of carved wood with a black area flanked by two gold areas on the outside and inside of the piece, with a flat area in both colours and another different one, again in both finishes. Stylistically, it is reminiscent of examples common in many European schools since the Renaissance.
· Size: 85x6x140 cms. Int 68x123,5 cms
ANTIQUES
Ref.: ZF1338
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Cameo; brooch with safety clasp. Victorian period, ca. 1850. Cameo (brooch with safety handle) with a gold-plated frame with alternating die-cut and engraved elements arranged around four hollow balls ???. The central piece, made of shell (Cassius Cypraea; hence the type known in the 19th century as “coralino”), white on flesh, presents a female bust profile in vertical development. The lady, with her hair decorated with abundant flowers, is the mythological figure Flora, Roman goddess of flowers, gardens and spring. Weight: 9.77 gr.
· Size: 4x4x1 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: ZE102
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Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 1 unit
· Size: 30x13x250 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3485E
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Pair of andirons. Blued and gilded bronze, iron. 19th century. Fireplace andirons decorated with vine leaves and bunches of grapes on the side pieces and in the centre of the horizontal part, working the metal to also remind us of the plant. These three elements or areas are visually united by an openwork piece, decorated in a simpler way with motifs inspired by Neoclassicism.
· Size: 36x45x45 cms.
ANTIQUES
Ref.: ZF0126
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Candlestick. Bronze. 17th-18th centuries. Candlestick made of bronze with a circular base and an axis combining discs, balustrade shapes, smooth areas, concave and convex mouldings of different widths, etc., creating a very lively profile common in this type of pieces since the Baroque in various European schools and reminiscent in some details of the so-called spool candlesticks. Weight: 520 gr.
· Size: 21x21x55 cms.
ANTIQUES
Ref.: ZF0491
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Frame. Carved and gilded wood. 18th century. Rectangular frame with a semicircular top in the centre, crowned by a composition with leaves and elements of the Passion of Christ (Crown of Thorns, Nails, etc.) decorated with a series of bands, alternating plain ones with two different strings of pearls. Although the 18th century is known for Rococo, it is not the only artistic style of the period: the decoration and shapes of the frame show a closer relationship with ancient Roman art, a common influence in Neoclassicism.
· Size: 44x8x81 cms
ANTIQUES
Ref.: ZF0527
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Sword. Metal, leather. Royal Factory of Toledo, towards the end of the 19th-20th century Small sword with a garnish bearing the emblem of the Infantry and the simplified coat of arms of Spain on the other side, cap with the monogram of King Alfonso XIII and wire-wrapped hilt, featuring a Toledo blade (inscription “Fca de Toledo”) and a scabbard combining leather and metal, slightly curved. Compare with the small sword for Infantry Officers, model 1901.
· Size: 12x2x97 cms.
ANTIQUES
Ref.: ZF0575
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Oval case. Silver. 19th century. With contrast marks. Oval box with flat lid made of silver, partially gilded, decorated on the outside with framed figurative scenes and landscapes and geometric motifs arranged in bands and architectural and plant motifs. The Rococo influence can be seen, for example, in the frames chosen for the landscapes on the body of the piece and in the figurative scene on the lid. Weight: 96 grams. Hallmarks are on the inside.
· Size: 6x4,3x2,2 cms.
ANTIQUES
Ref.: ZF0690
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Pair of stirrups. Carved wood, iron. Chile, 18th century. Pair of stirrups made up of a block of carved wood, in the shape of a half moon at the front, and decorated on the outside with geometric and vegetal elements, and an iron surround. Since metal was reserved for other uses during the 18th century, wood began to be used more frequently to make stirrups in Chile. The shape of the present pair, which follows a common typology of the time, seems to have been derived from Asturian pieces, preferred over metal stirrups to protect from water, branches, etc., and the artisanal development carried out mainly by the Jesuits in the area was what led to this type of carving and decoration, which survives to this day.
· Size: 16x20x17 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: ZF0933
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Sold
Oriental barrel-shaped vessel. Porcelain, metal. China, 20th century. With marks on the base (apocryphal, Xangxi). A barrel-shaped vessel with a flat lid, made of white-ground porcelain and decorated with a polychrome figurative composition based on plant motifs and scrolls on the lid, and upper-class figures set in a garden with pavilions, a large censer, a tiger and other animals, etc., on the body, on a frieze of repeated elements and under a double blue line at the top (this last detail also separates the stripes on the lid). Morphologically, it is reminiscent of the Chinese porcelain seats often used in gardens, but note that it has a lid with a metal washer and handles of the same material, elements that are not found on the known seating pieces. Next to these courtiers in the pavilion is a male figure on a water buffalo (a frequent motif in Chinese art, associated with either wise men or peasants or shepherds). The marks on the base, located within a double circular line, resemble those used on Chinese porcelain made during the Kangxi Empire (1662-1722), but are considered apocryphal.
· Size: 25x25x30 cms.
ANTIQUES
Ref.: ZF1082
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Heraldic shield. Oil on canvas. TORRES, A. Spanish School, 1856. Signed and dated. This work shows a heraldic shield on a blue background with different shades, on an oval framed support. The central (and only) element of the composition consists of a crest with a helmet with gold bars and four feathers, and a quartered shield. Towards the lower right area, there is a signature (A. Torres) and a date (1856). First quarter, cut, with a bird (possibly a sable eagle) with wings displayed and spread over gold, and, below, in green, a gold band crossed between the mouths of two azure serpents (recalling the well-known “band of Castile”), on gules. In the second quarter, twelve eight-pointed gold stars in three columns, on a divided field in sable and silver. In the third, on gules, gold chains around three crossed gold bands. In the fourth, six gold crescents on azure. Around both elements, and joining them, there is a symmetrical composition of architectural elements, plants and scrolls, with a clear classicist influence and with some reminiscence of works from the Spanish Renaissance.
· Size: 46x4,5x58 cms. int: 36x47 cms.
ANTIQUES
Ref.: ZF1118
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Spice rack in glazed ceramic. Talavera de la Reina, 18th century. A three-cup spice rack in the shape of an equilateral triangle, made of ceramic and decorated with high-temperature enamels typical of Talavera polychromy: manganese black for the edges and antimony oranges and yellows, copper green and cobalt blue. It is a classic-style piece, with clean lines that delimit the different parts of the structure, well-organised decoration and synthetic motifs that refer to the Greco-Latin ornamental repertoire, such as the palmette and the acanthus leaf.
· Size: 16x14x4,5 cms.
ANTIQUES
Ref.: ZF1255
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Hunters, pair of panels. Porcelain. Possibly Germany, 19th century. Pair of wall plaques with metal pieces to hang on the top and a polychrome figurative decoration on the front, in relief. One shows a horseman dressed in furs, accompanied by a fox (probably), and the other shows a woman, also on horseback, hunting a feline (possibly a tiger). Their style is reminiscent of porcelain pieces made in Meissen in the 19th century.
· Size: 31x31x6 cms
ANTIQUES
Ref.: ZF1387
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Devotional plaque with Saint Jerome. Bronze. Spanish school, 16th century. Rectangular devotional plaque made of bronze, with a frame and a ring at the top and a figurative decoration in relief on the front. In this piece we can see an elderly man, with a crucified figure in one hand, a skull and a book at his side, a lion peeking out in one corner and allusions to a rural setting in the background, as well as a hat on the left. This “model” of plaque was very popular in ancient times (the Lázaro Galdiano Museum in Madrid preserves a 17th-century example, etc.).
· Size: 7x0.5x11.5 cms.
ANTIQUES
Ref.: ZF1391
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Advertising poster, Magin Rubio Factory. Paper or cardboard. Spain, possibly around 1900. The Magin Rubio Chocolate and Mantecados Factory was located in a modernist mansion built by Eduardo Sánchez Eznarriaga at the beginning of the 20th century to house both production and the home of the company's founder, Magín Rubio González. It currently houses the Astorga Chocolate Museum.
· Size: 22,5x0,1x34,5 cms
ANTIQUES
Ref.: ZF135437
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Monk's armchair. Leather, walnut wood. Spain, 16th century. It has faults. Armchair with arms and high backrest of the type known as “friar's chair”, which has leather with studs on the upper part of the backrest (lack of the seat), low, low-profile trimmed jambs joining the front and back legs and middle jambs or side rails (the front one carved and re-cut to create geometric motifs) joining the two front and two back legs, and simple armrests with raised scrollwork finishes. The friar's chair, originally of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of both the 17th and 18th centuries and being recovered again in the historicist movement of the 19th century. Being such a deep-rooted tradition in Spain, this type of model was never stopped being created.
· Size: 68x53x102 cms.
ANTIQUES
Ref.: Z0750
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Table centrepiece. Europe, towards the end of the 19th century. Glazed porcelain. Enameled porcelain piece with gold details that allows flowers to be placed inside. It has a cube shape, with the handle decorated with rocailles inspired by the Rococo of the 18th century, also present on the edge of the piece and at the bottom. The fronts have been decorated with a series of flowers in various colours. It has a mark on the base, blue on a white background.
· Size: 15x15x29 cms.
ANTIQUES
Ref.: ZF0146
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Mortar and pestle. Bronze. 17th century. Mortar with a circular base, cylindrical body and mouth slightly flared outwards, decorated with a series of smooth horizontal mouldings arranged both at the bottom and at the top and with some simple vertical elements (which still maintain slight balustrade shapes) derived from the ribs that these specimens used to have in the medieval Spanish school.
· Size: 13x13x8,5 cms
ANTIQUES
Ref.: ZF0966
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Poseidon or Neptune with a hippocampus. Enameled porcelain. Europe, 19th century. A glazed porcelain figurine with a circular base, decorated with openwork elements and Rococo-inspired motifs enhanced with touches of gold, depicting a bearded, half-naked male figure, standing, in a purple and white cloak, accompanied by a half-horse, half-fish monster. The character is the classical god Poseidon or Neptune, and the creature is known as a hippocampus. This type of work was common in several prominent porcelain factories throughout the 19th century, especially Meissen, but also Chelsea (whose brand name is an anchor) or Samson, for example.
· Size: 6x7x15 cms.
ANTIQUES
Ref.: ZF0995
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Baluster vase. Porcelain. Taisho period, Japan, 1912-1926. With marks on the base. Baluster vase (due to its shape) made of brown glazed Hirado porcelain with iron oxide varnish and two sceptre-shaped handles on top. Hirado is a type of porcelain made mainly in Mikawachi, Sasebo and Nagasaki, in the former feudal territory of Hirado, owner of the kilns and responsible for production. The Taisho period was that under the government of the emperor of the same name, and lasted from July 30, 1912 to December 25, 1926.
· Size: 15x15x27 cms.
ANTIQUES
Ref.: ZF1109
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Oriental card holder. Ivory. 19th century. Rectangular card holder with opening on one of the smaller sides, made of ivory and decorated with bas-reliefs on its two main fronts. Garden scenes with pavilions and characters with a clear Chinese influence are presented within four mixtilinear shapes (the largest in the body area, the smallest on the lid). This piece is reminiscent of Canton card holders made to be exported to the West in the same material and with a very similar decoration. It has some damage.
· Size: 5.5x0.7x9.5 cms.
ANTIQUES
Ref.: ZF0584D
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Oriental card holder. Ivory. 19th century. Rectangular card holder with an opening on one of the smaller sides, made of ivory and decorated with bas-reliefs on both sides. A scene with characters set in a garden with pavilions (of clear Chinese influence) is framed within two mixed-linear areas, the largest located on the body of the piece and the smallest on the lid; note the similarity of the decoration on both sides. It is also necessary to compare this work with works from Canton made for export to the West in the 19th century.
· Size: 6x0.6x9.5 cms.
ANTIQUES
Ref.: ZF0586A
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18th century
· Size: 73x102
ANTIQUES
Ref.: Z0766
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Devotional medal, Saint James the Apostle. Gilt bronze. 17th century. Openwork devotional medal with the image of Saint James the Apostle in the centre, on a pedestal and holding a staff and a book, surrounded by a wreath of leaves tied with two bows above and below. Similar examples can be found in the Museum of Pilgrimages in Santiago de Compostela.
· Size: 5x0.5x6 cms.
ANTIQUES
Ref.: Z5091
