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English style display cabinet. Mahogany veneered wood, bronze, glass. 20th century. Display cabinet over chest of drawers or display cabinet with lower body of drawers clearly influenced by English Victorian models. The upper part has a double door, glazing on three fronts (with the front area quartered) and a moulding finish with a carved central crest, as well as raised corners in the form of smooth pilasters. In the lower area this raised part is repeated with architectural elements, visually prolonging the piece of furniture, and the drawers (a total of four) are left on the front, with circular knobs. It has faults.
· Size: 162x40x177 cms
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z6134
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GÓMEZ GIMENO, Antonio (Spain, late 19th – early 20th century). "Still life". Oil on canvas. Signed in the lower left corner. Measurements: 38 x 45.5 cm; 47 x 55.5 cm (frame). Painter of landscapes, costumbrist scenes and still lifes, Antonio Gómez Gimeno developed a language clearly influenced by the Impressionists, which he may have learned during a stay in France. He is currently represented in various private collections.
· Size: 46x38 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z6191
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12-arm bronze chandelier. 19th century Adapted for electrical use, the twelve arms are joined above a sphere, which is fixed to the ceiling by a fixed turned arm with another sphere in the middle of it. The earliest examples of this element date back to the Middle Ages, taken for civil use from their use in churches, and their design began to develop from the 15th century. Made of glass, transparent or coloured, bronze or a combination of both, they were always lamps intended for important residences, both because of their size and the consumption of candles they required.
· Size: 70x70x90 cms.
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z6360
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Pair of Dutch style candlesticks. 18th century Bronze. Electrified as lamps. Pair of Dutch style candlesticks converted into lamp bases. They have a turned structure, typical of refined baroque.
· Size: 55x55x79 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6491
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Silver snuffers. 19th century. The handle has been worked into the shape of a vase, with lobed handles at the bottom to recall hanging cloths, while the tip of the snuffers has a needle with pearl and the oval area has a grooved decoration. All these elements, and the elegant lines of the work, relate it to Neoclassicism, an artistic style characteristic of the 19th century. Weight: 117 gr
· Size: 7x3,5x15 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: Z6587
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Cutlery set. Porto, Portugal, 19th-20th centuries. Silver. With hallmarks and engraving marks. Silver cutlery set consisting of six spoons and six forks, each decorated on the handle with a different composition for each type of cutlery. The spoons have scrolls and plant elements, topped with scallops, reminiscent of Rococo; the forks have a composition with a neoclassical influence. Weight: 900 g.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: ZE100
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Cameo with gold mount (9 kts); brooch. Victorian period, ca. 1860. Cameo with an openwork die-cut mount in 9 kt gold, decorated with a symmetrical composition of contrasting “Cs”, simplified volutes and scallop-shaped forms at the equator of the piece (on both sides). The cameo itself, made in Cassius Cypraea (and therefore of the type known in the 19th century as “coralino”), presents a scene from classical mythology: on the left is Aurora, accompanied by a winged child with a torch (Phosphor, the morning star) and preceding the chariot of the Sun with four horses, which is surrounded by the Hours and driven by Apollo. Note the compositional and iconographic similarity between the scene and the fresco painted by Guido Reni between 1613 and 1614 at the Casino dell'Aurora Pallavicini (Rome, Italy), entitled “L'Aurora”, which was also often used as inspiration for works on different supports throughout the 19th century. Weight: 20.29 gr.
· Size: 6,5x5,5x1 cms.
ANTIQUES
Ref.: ZE101
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Mirror with a gilded wood crest. 20th century. Rectangular mirror with a decoration based on carved plant elements and a lattice motif under a plant shape. The curves drawn by the leaves show the influence of Rococo models in the creation of this work, the movement being greatly softened thanks to the straight lines of the frame. These rocailles are also located in this kind of latticework finish.
· Size: 61x10x91 cms
DECORATIVE ANTIQUES
Ref.: ZE417
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Dining table. Tropical wood. inspired by classic models. Dining table with a rectangular top slightly protruding from the waist (which has a carved decoration of geometric elements) and resting on four cabriole legs, carved on the knees with plant motifs of classical influence, decoration that can also be seen more simplified in the lower part of them.
· Size: 84x180x75 cms
DECORATION
FURNITURE;CLASSIC
Ref.: JD002A
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Pair of door knockers. Wrought iron. 16th century. Pair of door knockers made of wrought iron and composed of two nails with a ring to fix to the wood and a shape similar to a horseshoe attached to them. The latter, flat, is decorated with geometric engravings of lines and circles along its surface. Compare with pieces such as the 16th century Gothic knocker from the Lázaro Galdiano Museum (Madrid), Catalan pieces, etc.
· Size: 16x1,5x16 cms.
ANTIQUES
Ref.: Z0208A
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Pair of wall lights. Bronze. 20th century. Pair of wall sconces with three light points each, made of bronze and decorated with elements reminiscent of Empire and Neoclassical style works and mainly of French origin (female masks, plant motifs, strings of pearls, etc.).
· Size: 29x17x67 cms.
DECORATIVE ANTIQUES
Ref.: Z0776A
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Lock with key. Iron. 19th century. Wrought iron lock located in a square iron box, with some of its gears decorated with simple geometric or plant elements that gives, on the outside, two latches, it has a hollow key of the same material. Its large size stands out.
· Size: 33x26x20 cms.
DECORATIVE ANTIQUES
Ref.: ZF0070
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Lectern. Wrought iron. Baluster 17th century; rest 20th century. A wrought iron lectern with three twisted S-shaped legs with a disc in the centre, a balustraded base with different sections and a top with straight stripes. This central axis consists of different sections (solomonic and balustraded, joined by a piece of discs and other mouldings), and its lines are characteristic of ironwork of the period (compare, for example, with the Choir Grille of the Cathedral of Valladolid, currently in the Metropolitan Museum of New York, and note its differences). Weight: 22 kg.
· Size: 42x48x155 cms.
ANTIQUES
Ref.: ZF0581
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Tricycle. Circa 1950. Antique metal tricycle with two wheels facing backwards and a double bar on the frame, under the handlebars. It also has a structure behind the seat and between the two wheels to be able to put a box or similar in which to carry something, and a metal hook in this same area.
· Size: 70x185x105 cms.
DECORATIVE ANTIQUES
Ref.: ZF0731
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Spice rack. Silver. Spain, Cordoba, second half of the 18th century. With contrast marks. Silver spice rack in its colour with a truncated cone-shaped body, a sinuous lower edge resting on legs with scrolls and plant motifs, a semi-spherical bowl without divisions, a lid with a dome-shaped hinge and decorated with plant elements in high relief. The lid features a rose surrounded by a line of dots that create waves. The hallmarks place the piece's production in Córdoba, verified by Damián de Castro and by the hand of Juan Sánchez Soto (probably Cristóbal's son and brother), in the second half of the 18th century. Typologically, this is a spice rack belonging to a somewhat peculiar tradition or model, common in Córdoba and Madrid but also present in Gerona, Antequera, etc. Weight: 87 grams.
· Size: 7,5x6x5 cms
ANTIQUES
Ref.: ZF0982
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Spice rack. Silver. Cordoba, 18th century. With contrast marks. Silver spice rack in its colour with a truncated cone-shaped body, a sinuous lower edge resting on volute legs with osier and floral motifs, a hemispherical bowl, a lid with a dome-shaped hinge, and decorated with plant elements in high relief. The hallmarks on it identify it as an 18th-century Cordoban work by Juan de Luque y Leyva or Leiva (1721-1779/80), who was an official marker of the city between 1772 and 1779/80. Typologically, this is a spice rack belonging to a somewhat peculiar tradition or model, common in Cordoba and Madrid but also present in Gerona, Antequera, etc. Weight: 68 grams.
· Size: 7x7x4,5 cms
ANTIQUES
Ref.: ZF0983
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Niche. Carved and polychrome wood. 16th century. Wall niche with a rectangular front opening finished in gold with two polychrome angel heads in the corners and a dark polychrome space with classicist elements in gold (candlesticks with grotesques, latticework, scrolls, etc.). The base has a polygonal front finish, with a red edge, like the rest of the piece. This type of pedestal was very common in private oratories, both in civil (houses, etc.) and religious (convents, chapels, etc.) settings, to place and enhance small sculptures. Weight: 850 grams.
· Size: 18x9x47 cms.
ANTIQUES
Ref.: ZF1204
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Child Jesus. Carved and polychrome wood. Castilian school, 17th century. It has faults. Polychrome wood carving with gilded elements showing a standing child figure, dressed in a suit carved from the same piece decorated with plant elements and well-defined folds, and with curls concentrated on the top of the head and on the sides of the face. Iconographically, it is a Baby Jesus. In terms of its style, it would be framed within the Castilian school of Baroque. Weight: 1.3 kg.
· Size: 16x16x43 cms
ANTIQUES
Ref.: ZF1216
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Pair of framed engravings, Wedding and Baptism. ALPHONSE LAMOTTE (1844-1914). Pair of framed engravings depicting, respectively, a wedding or marriage and a baptism, of high-class characters, given the clothes and settings of the works. As indicated on the engravings, in the area where the titles appear, they were published in Paris by Alphonse Delarue, based on works by Alphonse Lamotte and Emile Bayard (1837–1891).
· Size: 120x3.5x103 cms
DECORATIVE ANTIQUES
Ref.: ZF1247
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Sold
Frame with mirror. Ebonized wood, glass. 17th century. It has faults. Rectangular frame made of carved and ebonized wood decorated with a series of smooth mouldings of different widths and depths. The mirror plate is also old and still has a metal piece on the back for hanging it on the wall. Stylistically, it is more reminiscent of Italian examples than Flemish ones, although this way of making frames was very popular in practically all European schools. Weight: 3 kg.
· Size: 37,5x7x51cms. int: 17,5x31,5 cms.
ANTIQUES
Ref.: ZF1260
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Sold
Art Nouveau furniture. Wood, glass, metal, etc. Circa 1900. Tall wall cabinet with a mirror on the top and drawers below (two display cabinets on the sides with transparent glass doors and another space with shelves in the centre, all three with a lockable key), decorated with carvings, appliqués and shapes reminiscent of plants, with delicate curves and great attention to detail. Due to its decorative elements (flowers, leaves, etc.) it is considered to be part of Modernism, a style highly appreciated in Europe that reached its peak around 1900.
· Size: 119x36,5x180 cms.
ANTIQUES
Ref.: ZF1292
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Officer's girdle sword, dress sabre or officer's sabre. Solingen, Germany, first quarter of the 19th century. Signed sheet. It has a garnish with decorative elements of a strong classical influence in relief and a pommel with a lion's head on a curve. Note the handles, with two bands with plant decorations. The front of the handle has scrolls, palms and plant elements framed by a figurative theme also classical (possibly a river allegory). The straight blade has the first third decorated with a blued finish and gold engravings (on the moustache you can clearly read "Solingen"), the second follows the recessed edge ending in a point, and the final part already shows the two edges that are common in these pieces.
· Size: 11x5x97 cms.
DECORATIVE ANTIQUES
Ref.: ZF1297
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Sugar box. Silver in colour. Northern Europe (possibly Berlin), first half of the 19th century. With contrast marks. Rectangular box with chamfered corners resting on four claws with nails and featuring a lid with a projection towards the centre and a plaque with engraved initials of ownership. On the outside, it has a frieze of plant motifs above the keyhole. There is evidence of a sugar box in a private European collection with a hallmark similar to that of this piece (the initial A in a circle), being a neoclassical work from Berlin, the work of Gottlob Ludwig Howalt, and dated around 1820. This type of sugar bowls with closure were common in certain areas of northern Europe, taking on an appearance similar to that of this piece following the invasion of Napoleon Bonaparte, with which the French aesthetic models spread. Weight: 487 grams.
· Size: 16x12x10 cms.
ANTIQUES
Ref.: ZF1319
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Peace-bearer. Bronze. 16th century. Bronze peace-bearer with a flat handle curved on the back, with relief decoration on the front organised in a classically influenced architectural composition, common in the Renaissance. Below the columns on the sides there are two heraldic shields (without a bonnet, cords with tassels on three levels) with a Latin cross in the middle; the centre shows a Birth of Christ under a domed cupola with winged angel heads in the corners; at the top and under a semicircular arch, there is a bust of Saint Dominic of the Causeway, facing forward, with an inscription in capital letters (“STO /DOMI”, “BENEDITUS SER”) flanked by two perched birds.
· Size: 10,5x4x16 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: ZF0543B
