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Necklace with jasper plates. Black cord necklace used to position and join the rectangular jasper plates that make up the necklace, which are wider at one end than the other. Jasper, used for jewelry and other luxury arts since ancient times, is a stone with a certain variety of colors, used for their ornamental value and as "precious stones."
· Size: 22x5 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z5805
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Necklace with Mexican agate plates. Necklace made with cords in different shades that are used to arrange and highlight the beads it is made of: flat circular discs alternate with dark spherical beads, highlighting the lines of the former; in front there is a triangular piece, in which the white and transparent areas alternate with red, yellow, white, etc. areas. Agate has been a common stone throughout history due to the properties attributed to it (the Egyptian one was effective against the bites of certain animals, the stone in general provided longevity in other cultures, etc.) and for its attractiveness (often used both in sculptures and in Egyptian mummies for the eyes, carved to create notable pieces such as the Valencia Chalice or the cameos of Ancient Rome, etc.).
· Size: 22x7 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z5806
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Elizabethan style chair. Wood, textile. Spain, 19th century. Carved and polychrome wooden chair with cabriolet legs and openwork backrest decorated with a symmetrical composition reminiscent of the Rococo in some details and Neoclassical in others. The Elizabethan style developed in Spain during the reign of Isabel II, continuing until the end of the 19th century. The furniture, which seeks comfort and a certain ostentation (with relatively inexpensive materials and techniques), interprets in its own way the French Baroque, Rococo and Neoclassical styles, with proportions, techniques and details typical of Spain and the 19th century, with a predominance of gilding, polychromy, carvings, etc.
· Size: 45x45x87 cms.
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z6029
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Oil on panel, Saint Teresa. 17th century Requires cleaning and restoration. Saint Teresa is shown dressed in the habit of the order she founded, the Discalced Carmelites, in a luxurious interior, next to a table with a book (alluding to her work as a writer) and looking up, receiving divine inspiration. The flaming heart that appears in her hand refers to the episode of her Transverberation. The crown worn by the angel alludes to an apparition that occurred in 1563 and is very common in works related to Carmelite monasteries and churches: Christ placed a crown on her and thanked her for what she had done for his Mother. Saint Teresa of Avila was beatified in 1614, and sanctified by Gregory XV in 1622, from which time onwards reproductions of her proliferated both in buildings and works related to the Carmelites and in many others.
· Size: 37x4x47,5 cms / int 27x39 cms.
DECORATIVE ANTIQUES
Ref.: Z6373
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Pair of Louis XV style rosewood chairs. Both are identical, they stand on four legs with slight curves and carved decoration on the knees, which also appears in the centre of the waist and on the top of the high backrests. The French style called Louis XV, which inspired them, is included within the Rococo, approximately between 1725 and 1760, and is characterised by the same curves and the meticulous decoration that have been softened here to adapt them to the taste of the period in which they were made.
· Size: 50x50x90 cms.
DECORATIVE ANTIQUES
Ref.: Z6659
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Pair of putti, relief. Moulded alabaster. 20th century, following Renaissance models. Pair of figurative reliefs made of moulded polychrome alabaster depicting two winged child figures (putti or cupids), standing, holding plant elements above their heads, following a common Renaissance decoration known as candelieri. They appear to be closely inspired by a work in the Church of the Holy Trinity in Torre-Ciudad in Huesca (Spain). Weight: 5 kg.
· Size: 22x4x78 cms
DECORATIVE ANTIQUES
Ref.: ZE411
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Lot of six latches. Wrought iron. Collection of six different wrought iron latches or locks, each made up of the usual two pieces. Given the different dates, the decorative motifs they have are different: cut-out profiles, scrolls, volutes, arched shapes, etc. Weight: 7.35 kg.
· Size: Mayor: 9x6x44 cms
DECORATIVE ANTIQUES
Ref.: Z0208B
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Pair of Louis XVI style tables. Beech wood, green marble top. 20th century. Pair of circular tables made of carved beech wood, with a light-veined green marble top that features a decoration around the waist and on each of its five legs with plant and architectural motifs, following shapes and compositions typical of the French Louis XVI style.
· Size: 82x82x45 cms
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z1209A
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Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 3 pcs. Price per unit.
· Size: 290x30 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3485C
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Spinning wheel. Carved and turned walnut wood. 19th century. Vertical spinning wheel made of carved walnut wood decorated with fine lines in certain areas and the use of balustrade pieces where these have been considered necessary. Compare, for example, with the vertical spinning wheel preserved in the Museo del Greco in Toledo dating from the 19th century.
· Size: 44x41x86 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z5583A
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Spinning wheel. Carved and turned walnut wood. 19th century. A vertical spinning wheel made of carved walnut wood, which has been decorated with fine lines in certain areas, and the use of balustraded pieces, some of which are decorated with discs and mouldings, where all of these have been considered necessary. Compare, for example, with the vertical spinning wheel preserved in the Museo del Greco in Toledo, dating from the 19th century.
· Size: 43x46x60 cms
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z5583B
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Silver mesh bag, 19th century. Silver mesh bag decorated with triangular elements on the bottom, with a smooth hinged closure and a chain with alternating long and short links. This type of piece was very common in the 19th century, as a luxury item and a practical piece for galas and other special events. Weight: 325 gr
· Size: 20x18 cms
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z6876A
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Adjustable programmer for “Pulsynetic” watches, chiming. Gent's of Leicester, England, circa second third of the 20th century. Good overall condition. The glass-fronted wooden box protects the mechanism and allows the various “wheels” and dials of the mechanism to be seen. In certain electrically-driven clocks, this box is used to coordinate all the slaves connected to the master so that the chime of bells rings simultaneously on all the components of the system. Apparently, and because of the reliability of the system, it has often been used in British schools and similar institutions. The company that created the mechanism was founded in 1872 by John Thomas Gent, and GTGent & Co. was one of the first to make electric chimes in England. After several changes, the company changed its name to Gent & Co., and was soon joined by AEJ Ball and began producing an electric clock system, later known as “Pul-syn-etic”. Weight: 15 kg.
· Size: 45x22x40 cms
DECORATIVE ANTIQUES
Ref.: ZF0741
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Old fisherman, oriental carving. Wood. 20th century. A wooden carving in its colour showing an old man sitting with a basket at his side, a cloth in his hand and a circular straw hat on his back. This type of work was very common in the Far East, and this piece is reminiscent of Japanese works made at the end of the 19th century.
· Size: 12x10x13 cms.
DECORATIVE ANTIQUES
Ref.: ZF0916
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Wall-mounted holy font. Bronze. Spain, 17th century. Small font for holy water designed to be placed on a wall, which has a container decorated with mouldings and architectural elements and a plaque, at the top, cut out with plant and architectural elements highlighting two angels with elements of the Passion and an image of the Virgin Mary (with iconography of the Immaculate) with the Child Jesus.
· Size: 7,5x9x22 cms
ANTIQUES
Ref.: ZF0928
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Triangular spice rack. Glazed ceramic. Talavera de la Reina, Spain, 17th century. It has damage. Triangular spice rack made of glazed ceramic decorated with a relief element in the centre of the three fronts and a series of motifs painted in brown, yellow and green on the top and on these fronts. Typologically, this is a very common model in the workshops of Talavera de la Reina, although not exclusive to this centre.
· Size: 14x13x5 cms.
ANTIQUES
Ref.: ZF0940
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Pair of candlesticks. Bronze. France, 18th century. Pair of candlesticks made of bronze with a polygonal base, stepped upwards and towards the centre and enhanced with smooth mouldings, a balustraded axis (also with a polygonal section), and a top finished with a circular saucer, designed to collect the wax from the candles. This type of piece was very common throughout Europe from the 17th century, varying in lines and decorative elements depending on the school and century to which they belonged.
· Size: 12x12x22,5 cms.
DECORATIVE ANTIQUES
Ref.: ZF0986
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Centerpiece or planter. Tin, metal. Victor Saglier, towards the end of the 19th century. With marks on the base. Oval centrepiece with an interior tray with handles, decorated on the outside with a fine relief based on mouldings in curved lines drawing handles and legs, and a composition on the fronts and sides based on leaves and fruits. Stylistically, it responds to Art Nouveau models. Victor Saglier (1809-1894) was a master goldsmith active in Paris (France), highly appreciated for his Art Nouveau style works, creating pieces for Majorelle and Gallé. When he died, the company became Saglier Frères, run from then on by his brothers Eguène and André, until the latter died in 1948.
· Size: 38x19x11 cms.
DECORATIVE ANTIQUES
Ref.: ZF1025
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Art Nouveau centrepiece or planter. Tin, metal. Victor Saglier, circa late 19th century. With marks. Oval centrepiece that responds to a typology sometimes used as planters, made of silver-plated metal and decorated on the outside with a delicate composition based on curved mouldings (which create handles and legs) and leaves and fruit. Stylistically, it responds to Art Nouveau models. Victor Saglier (1809-1894) was a master goldsmith active in Paris (France), highly appreciated for his Art Nouveau style works, creating pieces for Majorelle and Gallé. When he died, the company became Saglier Frères, run from then on by his brothers Eguène and André, until the latter died in 1948. Weight: 5.3 kg
· Size: 44x23x13 cms.
DECORATIVE ANTIQUES
Ref.: ZF1026
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Jug. Glass, silver-plated metal. Possibly WMF, Germany. Circa 1900. With contrasting marks (handle). Jug with a transparent glass body decorated with geometric elements, a circular base, a globular body and a high cylindrical neck, which has a silver-plated metal handle with a “C” shape on the top. It has a decoration of architectural and plant elements with a marked classicist and Renaissance character, as well as a protomos with a horse’s front legs next to the top edge of the jug’s lid. The marks, present on the outer edge of the handle, would surely link the piece to the Württembergische Metallwarenfabrik or WMF. In 1853 Daniel Straub and the Schweizer brothers established a metalworks factory called Straub & Schweizer, which achieved recognition at the London Exhibition as early as 1862, and opened its first shop in Berlin in 1868. In 1880 they merged with Metallwarenfabrik Ritter & Co. to form the Württembergische Metallwarenfabrik (WMF), which is still in operation today. Weight: 0.9 kg.
· Size: 16x13x30 cms
ANTIQUES
Ref.: ZF1099
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Coffee set. Enameled porcelain. Royal Vienna, Austria, early 20th century. With marks on the base of the pieces. Two cups broken. Enameled porcelain coffee set consisting of a tray, six cups and saucers, a sugar bowl with lid and a jug with lid. Although the classicist influence in the piece is clear (golden garlands, shapes, plant elements, colours, etc.), it is necessary to point out that the tray was inspired by the oil painting by George Sheridan Knowles in 1908 and entitled “Summer Pleasures on The River”. Royal Vienna is a certain style of porcelain related to the porcelain made in Vienna (Kaiserlich privilegierte Porcellain Fabrique) founded in 1718 by Claude du Paquier, an official of the imperial court in Vienna. It was closed in 1864, but its name was recovered by the Vienna Porcelain Factory Augarten in 1923.
· Size: 32x32x15 cms.
ANTIQUES
Ref.: ZF1147
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Footstool. Carved and polychrome wood, textile. Carved and polychrome wooden footstool with upholstery inspired by 19th century examples. The cabriolet-shaped legs feature carving based on architectural and plant motifs with a certain influence from 18th century Rococo models.
· Size: 54x45x56 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: D094
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Floor lamp with recessed lampshade. The round base is decorated in relief with plant motifs and is topped with a ball. The smooth foot ends in a baluster. The shade is decorated with smooth stems topped with scrolls and bird necks embedded in the glass, translucent with yellow flecks.
· Size: 40x40x168 cms.
DECORATION
AUXILIARY LIGHTING
Ref.: LM86
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Octagonal pedestal in carved black marble. The smooth upper board, the pedestal shaft and the base made by superimposing two mouldings, follow the octagonal shape and keep their planes aligned.
· Size: 37x37x46,5 cms.
DECORATION
MARBLE SCULPTURES
Ref.: AM044
