Results 25 to 48 of 161

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MEMORY. FRAMED ENGRAVING. TORRAS, FRANCISCO. SPAIN, 1874.

Souvenir. Framed engraving. TORRAS Y ARMENGOL, Francisco. Spain, 1874. Framed engraving by Francisco Torras y Armengol (Tarrasa, 1832-Madrid, 1878) that was part of the collection El Grabador al Aguafuerte (The Etching Engraver), put on sale in the fourth issue of 1874, published by the Society of Artists and with the Calcografía Nacional as the printer. The copper plate is preserved in the Calcografía Nacional.

· Size: 42,5x2x57 cms. int:13,5x18,5 cms.
DECORATIVE ANTIQUES

Ref.: Z4675C
TELEMACHUS AND POLYCASTE. FRAMED ENGRAVING. TORRAS, FRANCISCO. SPAIN, ...

Policasta and Telemachus. Framed engraving. TORRAS Y ARMENGOL, Francisco. Spain, 1874. Print by Francisco Torras y Armengol (Tarrasa, 1832-Madrid, 1878) that originally formed part of El Grabador al Aguafuerte (The Etching Engraver), on sale in the second issue of 1874. The copper plate is preserved in the Calcografía Nacional, which appears as the printer of the work. The publisher was the Society of Artists. Telemachus, son of Odysseus and Penelope, is a character in the Odyssey and, according to some sources, the father of Persepolis and the poet Homer with Polycasta, daughter of Nestor.

· Size: 42,5x2x57 cms. int:17,5x25 cms.
DECORATIVE ANTIQUES

Ref.: Z4675E
PREACHING. FRAMED ENGRAVING. MARTÍNEZ, JUAN JOSÉ. SPAIN, 1874.

Sermon. Framed engraving. Spain, 1874. With hand inscription (below, right). Print created by Juan José Martínez de Espinosa (Sanlúcar de Barrameda, 1826-Madrid, 1902), which originally formed part of the first volume of the collection El Grabador al Aguafuerte, released in the sixth issue of 1874. The copper plate is preserved in the Calcografía Nacional, where the artist acted as printer. The publisher is the Sociedad de Artistas.

· Size: 55,5x1,5x41 cms. int: 28x22 cms.
DECORATIVE ANTIQUES

Ref.: Z4675I
REQUIEM. FRAMED ENGRAVING. MARTÍNEZ, JUAN JOSÉ. SPAIN, 1876.

Requiem. Framed engraving. Spain, 1876. Engraving created by Juan José Martínez de Espinosa (Sanlúcar de Barrameda, 1826-Madrid, 1902). Originally it was part of the third volume of the collection El Grabador al Aguafuerte (The Etching Engraver), released in the fourth issue in 1876. The copper plate is preserved in the Calcografía Nacional, which acted as a printer. The Society of Artists participated as editor.

· Size: 58x1,5x43,5 cms., int: 28x22 cms.
DECORATIVE ANTIQUES

Ref.: Z4675K
LA REINE DES BOIS. FRAMED ENGRAVING. LONDON, 1852.

“The Queen of the Woods. Star of Madrid”. Framed engraving. Hippolyte Louis Garnier (1802-1855). London, 1852. Framed print showing a young woman in a wooded natural landscape, reminiscent in certain details of common models in Rococo painting but with a more neoclassical taste and language. The title, the engraver and other details are at the bottom.

· Size: 57x3x70 cms. Int 40x52 cms
DECORATIVE ANTIQUES

Ref.: Z2352
BIRDS. FRAMED WATERCOLOUR. 20TH CENTURY.

Birds. Framed watercolor. 20th century. Watercolor showing two birds, perhaps thrushes, perched on the branch of a flowering tree, with no background in the composition, reminiscent of old biology books. The work is unsigned.

· Size: 21,5x0,1x31 cms
DECORATIVE ANTIQUES

Ref.: Z0790
LANDSCAPE. OIL ON CARDBOARD. SPANISH SCHOOL, 1969.

Landscape. Oil on cardboard. Spanish School (P. Font), 1969. Signed (lower left); titled, signed and dated (back). Wooded landscape with a human figure (male due to his clothing) done with a treatment that shows clear influences from certain European pictorial avant-gardes of the 20th century (predominance of colour, absence of drawing, notable brushstrokes, colour, composition, theme, etc.).

· Size: 45x0,5x35,5 cms
DECORATIVE ANTIQUES

Ref.: Z4480
CARDINAL INFANTE FERDINAND OF AUSTRIA. FRAMED ENGRAVING. 1870. SPAIN.

Cardinal Infante Ferdinand of Austria. Framed engraving. 1870. National Chalcography (Spain); Gangoiti, Juan de (1816-1878); Maura Montaner, Bartolomé (1844-1926). Framed engraving based on the portrait of Cardinal-Infante Ferdinand of Austria as a hunter painted by Diego Rodríguez de Silva y Velázquez between 1632 and 1634, which is kept in the Museo del Prado in Madrid (Spain). This is an 1870 edition of the National Chalcography of Spain, of which the National Library of Madrid keeps the preparatory drawing.

· Size: 42,5x1,5x55 cms. Int 15x27,5 cms
DECORATIVE ANTIQUES

Ref.: Z4417
RAPHAEL MENGS. FRAMED ENGRAVING. SPAIN, 1780.

Raphael Mengs. Framed engraving. Spain, 1780. Engraving with a portrait of the neoclassical painter and theorist Anton Raphael Mengs (Aussig, Bohemia, March 12, 1728 - Rome, June 29, 1779). It belongs to a series dated 1870, apparently produced by the Calcografía Nacional, and is believed to have been inspired by an oil self-portrait by Mengs. Some sources indicate that it was a print engraved by Manuel Salvador Carmona.

· Size: 43x1,5x55 cms. Int 14x20 cms
DECORATIVE ANTIQUES

Ref.: Z4418
MARS. FRAMED ENGRAVING. PINEDA. SPAIN, 1876.

Mars. Framed engraving. Pineda. Spain, 1876. Engraving of the god Mars after the painting by Velázquez, preserved in the Prado Museum in Madrid. It is said to be print number 4 in the third volume of El Grabador al Aguafuerte, sold in the first issue in 1876. The engraver's surname was Pineda and the printer was Calcografía Nacional.

· Size: 42,5x1,5x57 cms
DECORATIVE ANTIQUES

Ref.: Z4421
ESTEBAN MARCH (ATRIB). FRAMED ENGRAVING. MAURA, BARTOLOMÉ. SPAIN, 1874...

Self-portrait by Esteban March (attributed). Framed engraving. MAURA Y MONTANER, Bartolomé. Spain, 1874. Engraving inspired by a painting considered a self-portrait that in the 19th century was believed to be by Esteban March (as indicated by the inscription), but which is now attributed to Orazio Borgianni. It was originally published as number thirteen, in the first volume of El Grabador al Aguafuerte, put on sale in the fourth issue of 1874. The copper plate is preserved in the Calcografía Nacional of Madrid (R. 5072), the printer of the work. It was published by the Society of Artists.

· Size: 43x1,5x58 cms. Int 22x27,5 cms
DECORATIVE ANTIQUES

Ref.: Z4423
PORTRAIT, JOAQUÍN FRANCISCO PACHECO. FRAMED ENGRAVING. SPAIN, 19TH CEN...

Portrait of Joaquin Francisco Pacheco y Gutierrez Calderon. Framed engraving. Spain, 19th century. Framed engraving showing Joaquín Francisco Pacheco y Gutiérrez Calderón (Écija, 1808-Madrid, 1856), a Spanish jurist, politician, journalist and writer, following a portrait by a painter named Lozano.

· Size: 43x2x55 cms. Int 18x24 cms
DECORATIVE ANTIQUES

Ref.: Z4413
”SAVIOUR CHRIST”. OIL ON CANVAS. SPANISH SCHOOL, 17TH CENTURY.

“Christ the Savior”. Oil on canvas. Spanish school, 17th century. Damage Oil on canvas with a three-quarter view of a bearded Christ, blessing with one hand and holding the Orb of Creation crowned by a cross in the other, in an iconography known as Christ the Savior of the World and already used by masters such as Pedro Berruguete, Leonardo da Vinci, El Greco, etc., both in Europe and South America.

· Size: 53x2x67 cms. int: 45x59
DECORATIVE ANTIQUES

Ref.: Z0264
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SAINT ANNE WITH VIRGIN MARY. OIL ON COPPER. SPANISH SCHOOL, 18TH CENTU...

Saint Anne teaching the Virgin to read. Oil on copper. Spanish school, 18th century. Small copper depicting Saint Anne seated, with a book on her knees, and accompanied by the Virgin Mary as a child and an angel at her side. In the background we can see a fragment of curtains and a bit of architecture. Both iconographically and stylistically, this is a frequent theme in Christian European art, with some Italian influence and a composition common in works from the Spanish school.

· Size: 10,5x2,5x11,5 / int: 6,5 x 7,5 cms.
ANTIQUES

Ref.: ZF1294
PORTRAIT, FERNANDO FERNÁNDEZ DE CÓRDOBA Y VALCÁRCEL. OIL ON CANVAS. SP...

Portrait of Fernando Fernandez de Cordoba and Valcarcel. Oil on canvas. Spanish School, 19th century. Unframed canvas. Damaged. Requires restoration. Full-length portrait of a male figure set in an interior decorated with carpets, a gilded wooden chest of drawers with a Rococo influence, a relief on the wall, mouldings, an inkwell, maps, books, a writing desk, etc. To the left, next to a curtain, the composition opens onto a window that reveals a building. The man, in military uniform, holds a sword in one hand and a bicorne hat in the other, while looking straight at the viewer. Fernando Fernández de Córdova y Valcárcel (Buenos Aires, 2 September 1809 – Madrid, 30 October 1883), 2nd Marquis of Mendigorría, was a Spanish military man, son of the frigate captain of the Royal Navy José María Fernández de Córdova y Rojas and María de la Paz Rodríguez de Valcárcel y O'Conrry, 1st Marchioness of Mendigorría. He fought with his brother Luis in the First Carlist War. He belonged to the Moderate Party and later to the Democratic-Radical Party. He was President of the Government for a single day. He was a senator for life from 1847 to 1868 and for the province of Soria from 1871 to 1873, during the reign of Amadeo of Savoy. In the portrait it is possible to clearly see his decorations, located on the left side of his chest. Starting from the top: Knight Grand Cross of the Royal and Distinguished Spanish Order of Charles III (established by this monarch in 1771); on the left, that of Knight Grand Cross of the Royal Order of Isabella the Catholic (instituted by Ferdinand VII in 1815); below the previous one, the insignia of Knight of the Insigne and Royal Order of Saint Januarius (military order of the House of Bourbon-Two Sicilies, established in 1738). And almost covered by the lapel, the one awarded in 1850 when he was named Knight Grand Cross of the Royal and Military Order of Saint Ferdinand (established in 1811). The one that remains to be identified, next to the previous one, could be the decoration of Knight Grand Cross of the Royal and Military Order of Saint Hermenegildo. In addition, he was awarded the recognition of Knight Grand Cross in diamonds of the Order of Pius IX.

· Size: 138x218 cms.
ANTIQUES

Ref.: Z6572
VARIATIONS ON PARIS. FRAMED LITOGRAPH. EDUARDO VICENTE (MADRID, 1900-1...

Variations on Paris; Rincón de Menilmontant. Framed lithograph. Eduardo Vicente (Madrid, 1900-1968). Framed lithograph belonging to the book of fifteen lithographs entitled “Variations on Paris”, published by Rafael Casariego in 1968 with texts by José Hierro.

· Size: 45x2x58 cms.
DECORATIVE ANTIQUES

Ref.: Z1205B
RURAL LANDSCAPE. OIL ON CANVAS. SIGNED . 20TH CENTURY.

Rural landscape. Oil on canvas. Signed. 20th century. Oil painting showing an urban landscape with a river and a stone bridge under a church and some houses on the right side of the composition, while, to the left and visually separated by some trees, there is a path with a small character.

· Size: 115x75 cms / int 99x58 cms.
DECORATIVE ANTIQUES

Ref.: Z1205D
FOUR ORNITOLOGY PRINTS, FRAMED. POSSIBLY 19TH CENTURY.

Four framed engravings, ornithology. 20th century. Set of four coloured engravings with birds: a pair of black terns and a pair of sand martins in one; a pair of red-necked ducks and a pair of little grebes (pintail duck); in the next engraving two more specimens of Kentish plover above two kentish plovers (turnstone); and in the last one the species common sandpiper and sanderling. The engravings are very similar to those that appeared in natural science books in the 19th century.

· Size: 32,5x3x42 cms
DECORATIVE ANTIQUES

Ref.: Z4675A
FRAMED WATERCOLOR. VASE

· Size: 53x3x61 cms.
DECORATIVE ANTIQUES

Ref.: Z4446
FRAMED ENGRAVING MR. MELHAN SENAC

Mahogany framing

· Size: 52x3x62 cms.
DECORATIVE ANTIQUES

Ref.: Z4447
LANDSCAPE. OIL ON CANVAS. FRAU, JOSÉ (SPAIN, 1898-1976).

Landscape. Oil on canvas. FRAU, José (Spain, 1898-1976). Signed (lower right area). José María Isidro Frau y Ruiz (Vigo, 15 May 1898 – Madrid, 24 March 1976) was a Spanish painter and academic, appreciated for his landscapes and for being part of the School of Painters of El Paular (created by Royal Decree on 22 February 1918, within the Chair of Landscape that the Academy of Fine Arts of San Fernando established in 1845 as part of the official teaching of its pedagogical programs in art; it ceased to operate in 1936 and was recovered in 2018). Known as José Frau, he began his pictorial training in Huelva with Antonio de la Torre and Eugenio Hermoso Huelva. In 1916 he entered the Academy of Fine Arts of San Fernando, and, from 1917, he participated in the National Exhibitions of Madrid, showing his work also in Barcelona, Buenos Aires, Montevideo, Mexico City, New York, etc. He travelled through South America in 1947, settling in Mexico three years later and returning to Spain in 1966. His work is preserved in notable private collections and institutions such as the Museo Municipal Quiñones de León (Spain), the Museo de Bellas Artes de La Coruña, the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain), the Museo de la Real Academia de Bellas Artes de San Fernando in Madrid, etc. He has been considered one of the representatives of the equivalent of “magical realism” in Spain. His pictorial work is based on figurative premises and a naturalistic and symbolic formation. He participated in the process of renewal of Spanish painting in the twenties and thirties, evolving towards a post-impressionist style. Later he focused on a calm post-Cézanne modernity in which he portrayed landscapes with figures recreated in fantastic and magical environments. During the post-war years he returned to a looser and more nervous brushstroke. In his later works he used a Fauvist chromatic palette in which greens, blues, earth tones and highly contrasting blacks predominated, while at the same time a progressive process of stylization occurred in his works in addition to the loss of the prominence of the human figure.

· Size: 91x3x71 cms. int: 79x59 cms.
ANTIQUES

Ref.: ZF1266
PAIR OF ENGRAVINGS, WEDDING AND BAPTISME. ALPHONSE LAMOTTE (1844-1914)...

Pair of framed engravings, Wedding and Baptism. ALPHONSE LAMOTTE (1844-1914). Pair of framed engravings depicting, respectively, a wedding or marriage and a baptism, of high-class characters, given the clothes and settings of the works. As indicated on the engravings, in the area where the titles appear, they were published in Paris by Alphonse Delarue, based on works by Alphonse Lamotte and Emile Bayard (1837–1891).

· Size: 120x3.5x103 cms
DECORATIVE ANTIQUES

Ref.: ZF1247
PAIR OF MINIATURES ON CARDBOARD, FERDINAND II, KING CONSORT OF PORTUGA...

Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. 19th century. Pair of cardboard miniatures showing busts of a man and a woman within medallions, these in turn placed in a frame with two hanging points, on a textile upholstery matching that present in the miniatures. Ferdinand II of Portugal (Vienna, 29 October 1816 - Lisbon, 15 December 1885)1 was King “iure uxoris” of Portugal by his marriage to Queen Maria II (1819-1853), from the birth of their son in 1837 until her death in 1853. The miniature of the queen is reminiscent of one in the Royal Collection Trust in England, signed and dated 1852, by Sir William Ross.

· Size: 23,5x2x18 cms. Miniatura: 6x1x8 cms
DECORATIVE ANTIQUES

Ref.: ZF1157A
LANDSCAPE. OIL ON CARDBOARD. SPANISH SCHOOL, 20TH CENTURY.

Landscape. Oil on cardboard. Spanish School (Riancho), 20th century. Signed (lower right area). Landscape done in oil on cardboard with a strong and material brushstroke following contributions from certain European pictorial avant-gardes that appeared from the end of the 19th century.

· Size: 46x6x56 cms. int. 88x38,5 cms
DECORATIVE ANTIQUES

Ref.: Z4654

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