Results 145 to 168 of 1589

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EMPIRE STYLE SHOWCASE. WOOD, METAL, GLASS, 20TH CENTURY.

Empire style display cabinet. Wood, metal, glass. 20th century, following the French school. It has defects. Wooden display case with front and sides in clear glass, with a clear top and (two) clear glass shelves inside. It opens through a door at the front, revealing a total of four storage spaces. It also has gold metal appliqués that follow models from the 19th century French school.

· Size: 85x45x165 cms
DECORATIVE ANTIQUES

Ref.: E341
BOTTLE RACK. POLYCHROMED IRON. 20TH CENTURY.

Bottle rack. Polychrome iron. 20th century. Tall cabinet with curved legs and double doors at the front, with iron shelves (double wires on each “shelf”) for storing bottles. It is decorated with curved rods accompanied by bunches of grapes at the front, and a simple trellis on the other sides of the cabinet, as well as crests and curves at the top.

· Size: 85x46x190 cms.
DECORATIVE ANTIQUES

Ref.: ZE250
BIEDERMEIER STYLE COLUMN CABINET. WOOD. 20TH CENTURY.

Biedermeir column or bollard type furniture. Wood. 20th century. An oval piece of furniture with a door at the front, a type known as a column cabinet due to its shape, which has shelves inside. Stylistically it shows strong influences from the Biedermeier style, developed in the Austrian Empire and Central Europe between the Congress of Vienna (1814-1815) and the Restoration period (mid-19th century).

· Size: 60x41x148 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: E002
NIGHTSTAND AFTER ANTIQUE MODELS.

Bedside table with drawers. Wood, metal. 20th century, classic style. Rectangular bedside table with a flat top, made of wood and featuring five drawers with metal handles on the front (two smaller ones on top and three larger ones, one on each level). Its lines and decoration follow common models in certain European trends of the 19th century.

· Size: 66x45x112 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: JB021
PAIR OF MIRRORS WITH LIGHTS. METAL, GLASS. 20TH CENTURY.

Pair of mirrors with appliqués. Metal, glass. 20th century. Pair of wall mirrors with metal frames, decorated with architectural and plant elements with a clear classicist influence (note the openwork, the small crest located at the top of both and the mask that appears in the areas below) and which also have a three-light wall light at the front, with arms decorated with plant motifs.

· Size: 43x15x55 cms
DECORATIVE ANTIQUES

Ref.: ZF0277
MIRROR FRAME, EMPIRE STYLE. WOOD, METAL. 20TH CENTURY.

Mirror frame, Empire style. Wood, metal. 20th century. Rectangular frame made of wood and decorated with gold metal applications of busts, plant and animal motifs, etc. following classicist models. Both in the shape and in the material and in the decorative elements, a clear inspiration from models of the French school of the 19th century can be seen.

· Size: 118x5x96 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: E341A
SHELF. WOOD, METAL. 20TH CENTURY.

Bookcase. Tropical wood, metal. 20th century. Rectangular wooden bookcase with three shelves, creating four spaces accessible from the front, and two drawers with metal handles in the lower area. It follows old models both in decoration and in the material it is made of.

· Size: 98x34x180 cms
DECORATION
FURNITURE;CLASSIC

Ref.: JA062
TABLETOP. MARBLE. AFTER ANTIQUE MODELS.

Table top. Marble. Following ancient models. Circular table top made of marble with applications of marbles of other colours that presents a geometric design similar to a compass rose, with an eight-pointed star serving as a frame for a smaller one. The technique is very similar to inlay, but uses marbles and hard stones (more than 7 on the Mohs scale) to make these designs. Desks, boards and other objects were made with “hard stone work”. Usually, lapis lazuli was used together with Belgian marble as a background, accompanied by jade, chalcedony, etc. The price of the material and that of the specialized labor raised the cost of this type of works of art so much that its recipients were only the main houses and courts of the time, so today they are only preserved in prominent private collections and in important museums.

· Size: 100x100x2,5 cms
DECORATION
MARBLE SCULPTURES

Ref.: M0115
SIDE TABLE. AFTER ANTIQUE MODELS.

Console. Wood, metal. 20th century, following older models. Rectangular wooden console with two drawers at the front with metal handles and four simple legs. Both in its lines and in the simple decoration based on smooth mouldings, one can clearly see an inspiration from 19th century models.

· Size: 90x40x80 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: JT035
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ART NOUVEAU DRESSING COMMODE. WOOD, GLASS, METAL, ETC. CIRCA 1900.

Art Nouveau furniture. Wood, glass, metal, etc. Circa 1900. Tall wall cabinet with a mirror on the top and drawers below (two display cabinets on the sides with transparent glass doors and another space with shelves in the centre, all three with a lockable key), decorated with carvings, appliqués and shapes reminiscent of plants, with delicate curves and great attention to detail. Due to its decorative elements (flowers, leaves, etc.) it is considered to be part of Modernism, a style highly appreciated in Europe that reached its peak around 1900.

· Size: 119x36,5x180 cms.
ANTIQUES

Ref.: ZF1292
FOUR IRON COLUMNS. 17TH CENTURY.

Four columns. Iron. 17th century Four iron supports with a polygonal shaft, balustrade shape and upper part with two sections on the sides of the central one ending in volutes and a horizontal part in the same material as the rest. This type of architectural element was very common in Spain even well into the 20th century in certain areas. Total weight: 620 kg

· Size: 76x21x249 cms
ANTIQUES

Ref.: ZF1271A
PAIR OF IRON COLUMNS. POSSIBLY SPANISH SCHOOL, 17 TH CENTURY.

Pair of columns. Wrought iron. Possibly Spanish school, 17th century. Pair of architectural supports made of iron with a polygonal central axis, ending in a spherical shape on one side and in a support for a horizontal crossbar on the other. At this point two volutes flanking the aforementioned axis end. Weight: 310 kg.

· Size: 79x21x249 cms.
ANTIQUES

Ref.: ZF1271B
POWDER HORN. SPAIN, 19TH CENTURY.

Powder keg. Engraved horn, rope, cork. Spain, 19th century. A container for storing gunpowder made from a cow horn and decorated on the outside with a series of figurative, geometric and vegetal engravings and inscriptions enhanced with dark or black ink or dye. The decoration is arranged in horizontal bands, with some elements enhanced with “frames” of crossed lines, and one can clearly see Latin crosses, floral elements, a coiled snake, various human figures (note in particular the male figures at the top, with firearms), quadrupeds, birds, fish and inscriptions in capital letters (names such as Manuel, intertwined initials...). Also known as “horns”, these types of vessels were usually made not by skilled and specialised workers, but by shepherds, ranchers, etc., using their own names, important elements from their area or for themselves, or motifs of great tradition in a certain area in their decoration. Compare this with the one by Pedro Doncel, dated 1855 and preserved in the Museum of Olivenza (Spain), or the one from 1883 in the Museo del Traje in Madrid (Spain).

· Size: 27x8x7 cms.
ANTIQUES

Ref.: ZF1286
ART NOUVEAU CHANDELIER. CIRCA 1900.

Art Nouveau ceiling lamp. Metal, glass. Circa 1900. Gold metal ceiling lamp with several points of light hidden by white translucent glass shades decorated with geometric elements. The stems, leaves and shapes it presents frame it within Modernism or Art Nouveau, a style highly appreciated in Europe around 1900.

· Size: 61x61x67 cms.
ANTIQUES

Ref.: ZF1291
CHEST. LEATHER, METAL, WOOD. SPAIN, 18TH CENTURY.

Studded trunk. Wood, leather, metal. Spain, 18th century. A small chest or trunk with a rectangular base and a curved lid, decorated on the outside with a leather cover and a series of metal studs forming lines and simple geometric motifs, accompanying the fittings that the piece presents. It closes at the front with a latch, has handles on the sides and the interior is made of wood in its color.

· Size: 37x23,5x23 cms
DECORATIVE ANTIQUES

Ref.: ZF1290
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SAINT ANNE WITH VIRGIN MARY. OIL ON COPPER. SPANISH SCHOOL, 18TH CENTU...

Saint Anne teaching the Virgin to read. Oil on copper. Spanish school, 18th century. Small copper depicting Saint Anne seated, with a book on her knees, and accompanied by the Virgin Mary as a child and an angel at her side. In the background we can see a fragment of curtains and a bit of architecture. Both iconographically and stylistically, this is a frequent theme in Christian European art, with some Italian influence and a composition common in works from the Spanish school.

· Size: 10,5x2,5x11,5 / int: 6,5 x 7,5 cms.
ANTIQUES

Ref.: ZF1294
TYFFANY STYLE LAMP. POLYMER, METAL. 20TH CENTURY.

Ceiling lamp, Tyffany style. Polymer, metal. 20th century. Ceiling lamp with one light point, chain for hanging and polymer shade in various colours resembling Tyffany's usual and appreciated stained glass compositions.

· Size: 68x68x80 cms. Tramo cadena: 28 cms.
DECORATIVE ANTIQUES

Ref.: Z0793
GLASS CAMEO, PORTRAIT. POSSIBLY SPAIN, 19TH CENTURY.

Cameo or intaglio, portrait. Glass. Possibly Spain, 19th century. Glass cameo with a profile bust of a male figure with a curly wig and a bow tying a low ponytail. Based on comparisons with other portraits, it is possible that this is of Charles IV (Portici, 11 November 1748 - Naples, 19 January 1819; King of Spain from 1788 to 1808). Compare with the painting by Juan Bauzil (Charles IV de Espaldas, National Heritage, Spain), or the Profile of Charles IV, King of Spain (1748-1819) which appears in the "Collection of Portraits of Their Majesties, Princes and Infants of Spain, Drawn by Antonio Carnicero, Court Painter and engraved by Brunetti" (1802 Etching and burin, intaglio. National Library. Madrid).

· Size: 2,9x0,5x2,7 cms
DECORATIVE ANTIQUES

Ref.: ZF128405
EXTENDING TABLE (6 M). MAHOGANY, METAL, ETC. ENGLAND, CIRCA 1930.

Extendable table (6 metres). Mahogany wood, metal, leather, etc. England, circa 1930. Rectangular table made of mahogany carved with rectangles of another material in green (leather) edged in gold on the top, which has eight legs finished with rollers and a “worm screw” system under the tabletop that allows its extension up to six meters thanks to a manually operated crank that is attached to one of the smaller sides of the piece. The claws are very common in 18th century English examples (a type known as “claw and ball” with a cabriolet leg, a shape that, although more traditionally French, spread rapidly throughout Europe). The main theory of experts is that it is a design derived from Chinese art (a dragon’s claw grasping a pearl or similar) and that it would have reached the West thanks to the trade in porcelain, silk, etc., appearing for the first time in English silverware and, from there, spreading to other arts. The transformation of the dragon’s claw into a lion’s paw is attributed to English cabinetmakers, this animal symbolising English authority. Thus, the “ball and claw” was popular in England between approximately 1710 and 1750 (later recovering as the styles of the past became fashionable again), and with variations in shape and lines (shape of the claw, details of the nails and “fingers”, proportion between the sphere and the extremity, etc.) depending on the area in which this decorative element was used. The decoration present towards the waist of the piece of furniture and on the edge of the upper board, in slight relief and leaving the wood in its colour, is of an architectural and vegetal theme and shows an influence of ancient classical models (Greek and Roman) both in its motifs and in the composition (symmetry on the sides of the piece of furniture, harmony, etc.). As for the presence of the fabric upholstery on the top, this is a more common element in tables intended for conferences, desks or games than in dining tables (which usually have a wooden top), although this detail does not exclude any function for it. Also worth noting is the preservation of the rollers on the legs, an element that used to be removed or lost with use and the passage of time. 428x160x86 cm. Extended 700x160x86 cm Height up to ball 75 cms.
ANTIQUES

Ref.: Z5694
PORTRAIT, FERNANDO FERNÁNDEZ DE CÓRDOBA Y VALCÁRCEL. OIL ON CANVAS. SP...

Portrait of Fernando Fernandez de Cordoba and Valcarcel. Oil on canvas. Spanish School, 19th century. Unframed canvas. Damaged. Requires restoration. Full-length portrait of a male figure set in an interior decorated with carpets, a gilded wooden chest of drawers with a Rococo influence, a relief on the wall, mouldings, an inkwell, maps, books, a writing desk, etc. To the left, next to a curtain, the composition opens onto a window that reveals a building. The man, in military uniform, holds a sword in one hand and a bicorne hat in the other, while looking straight at the viewer. Fernando Fernández de Córdova y Valcárcel (Buenos Aires, 2 September 1809 – Madrid, 30 October 1883), 2nd Marquis of Mendigorría, was a Spanish military man, son of the frigate captain of the Royal Navy José María Fernández de Córdova y Rojas and María de la Paz Rodríguez de Valcárcel y O'Conrry, 1st Marchioness of Mendigorría. He fought with his brother Luis in the First Carlist War. He belonged to the Moderate Party and later to the Democratic-Radical Party. He was President of the Government for a single day. He was a senator for life from 1847 to 1868 and for the province of Soria from 1871 to 1873, during the reign of Amadeo of Savoy. In the portrait it is possible to clearly see his decorations, located on the left side of his chest. Starting from the top: Knight Grand Cross of the Royal and Distinguished Spanish Order of Charles III (established by this monarch in 1771); on the left, that of Knight Grand Cross of the Royal Order of Isabella the Catholic (instituted by Ferdinand VII in 1815); below the previous one, the insignia of Knight of the Insigne and Royal Order of Saint Januarius (military order of the House of Bourbon-Two Sicilies, established in 1738). And almost covered by the lapel, the one awarded in 1850 when he was named Knight Grand Cross of the Royal and Military Order of Saint Ferdinand (established in 1811). The one that remains to be identified, next to the previous one, could be the decoration of Knight Grand Cross of the Royal and Military Order of Saint Hermenegildo. In addition, he was awarded the recognition of Knight Grand Cross in diamonds of the Order of Pius IX.

· Size: 138x218 cms.
ANTIQUES

Ref.: Z6572
FLORENTINE BASE IN CARVED STONE.

Florentine base carved in stone. Base formed by three volutes joined together by one of their larger sides with plant and floral elements carved in the stone. To highlight them, they have been placed between two mouldings; the upper one is straight to provide an appropriate base for the table.

· Size: 80x80x74 cms.
DECORATION
DECORATION COMPLEMENTS

Ref.: AMT02
RUSTIC BUFFET. WOOD, METAL.

Rustic sideboard. Tropical wood, wrought iron. Rectangular sideboard with rustic finish made of wood with four doors, two drawers and a storage space. The lines and finish of the material are reminiscent of old provincial examples.

· Size: 50x180x70 cms.
DECORATION
FURNITURE;RUSTIC

Ref.: AJ528
DISPLAY CABINET IN LIMONCILLO COLOURED WOOD.

Display table in lemon-coloured wood. The rectangular display case rests on four cabriolet legs, with glass on all five sides (sides, front and top) framed by fine mouldings in gold metal and a front lock with a key. The interior is upholstered in pink with capitoné.

· Size: 75x45,5x79 cms
DECORATION
FURNITURE;CLASSIC

Ref.: D161
DRINKING CHIMPANZEE. TROPICAL WOOD. 20TH CENTURY.

Drinking chimpanzee. Carved tropical wood. 20th century. A tropical wood carving depicting a seated chimpanzee drinking from a gourd or coconut. The quality of the piece is noteworthy, as can be seen in the detail, the naturalness of the posture, etc. Weight: 3 kg

· Size: 32x17x28 cms.
DECORATIVE ANTIQUES

Ref.: Z0543

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Results 145 to 168 of 1589

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