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Heraldic shield. Oil on canvas. TORRES, A. Spanish School, 1856. Signed and dated. This work shows a heraldic shield on a blue background with different shades, on an oval framed support. The central (and only) element of the composition consists of a crest with a helmet with gold bars and four feathers, and a quartered shield. Towards the lower right area, there is a signature (A. Torres) and a date (1856). First quarter, cut, with a bird (possibly a sable eagle) with wings displayed and spread over gold, and, below, in green, a gold band crossed between the mouths of two azure serpents (recalling the well-known “band of Castile”), on gules. In the second quarter, twelve eight-pointed gold stars in three columns, on a divided field in sable and silver. In the third, on gules, gold chains around three crossed gold bands. In the fourth, six gold crescents on azure. Around both elements, and joining them, there is a symmetrical composition of architectural elements, plants and scrolls, with a clear classicist influence and with some reminiscence of works from the Spanish Renaissance.
· Size: 46x4,5x58 cms. int: 36x47 cms.
ANTIQUES
Ref.: ZF1118
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Guan Yu. Terracotta. 20th century. Polychrome terracotta sculpture in brown and black tones showing a man in armour and with a long, bushy beard. It represents Guan Yu (Kuong Kong) (Yuncheng, Shanxi province, 160 - Nanzhang, Xiangyang, Hubei province, 219), courtesy name Yunchang, who was a military general under Liu Bei during the late Eastern Han Dynasty and the Three Kingdoms Period of ancient China. Weight: 21 kg.
· Size: 50x45x81 cms.
DECORATIVE ANTIQUES
Ref.: ZF1134
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Spice rack in glazed ceramic. Talavera de la Reina, 18th century. A three-cup spice rack in the shape of an equilateral triangle, made of ceramic and decorated with high-temperature enamels typical of Talavera polychromy: manganese black for the edges and antimony oranges and yellows, copper green and cobalt blue. It is a classic-style piece, with clean lines that delimit the different parts of the structure, well-organised decoration and synthetic motifs that refer to the Greco-Latin ornamental repertoire, such as the palmette and the acanthus leaf.
· Size: 16x14x4,5 cms.
ANTIQUES
Ref.: ZF1255
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Hunters, pair of panels. Porcelain. Possibly Germany, 19th century. Pair of wall plaques with metal pieces to hang on the top and a polychrome figurative decoration on the front, in relief. One shows a horseman dressed in furs, accompanied by a fox (probably), and the other shows a woman, also on horseback, hunting a feline (possibly a tiger). Their style is reminiscent of porcelain pieces made in Meissen in the 19th century.
· Size: 31x31x6 cms
ANTIQUES
Ref.: ZF1387
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Devotional plaque with Saint Jerome. Bronze. Spanish school, 16th century. Rectangular devotional plaque made of bronze, with a frame and a ring at the top and a figurative decoration in relief on the front. In this piece we can see an elderly man, with a crucified figure in one hand, a skull and a book at his side, a lion peeking out in one corner and allusions to a rural setting in the background, as well as a hat on the left. This “model” of plaque was very popular in ancient times (the Lázaro Galdiano Museum in Madrid preserves a 17th-century example, etc.).
· Size: 7x0.5x11.5 cms.
ANTIQUES
Ref.: ZF1391
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Six balusters. Wrought iron. Spanish school, 18th century. Set of six balusters made of wrought iron and decorated with vase-shaped or balustraded forms accompanied by discs and flat mouldings, as is usual in Spanish works of the period. Weight: 60 kg.
· Size: 5,5x5,5x154 cms.
DECORATIVE ANTIQUES
Ref.: ZT0040
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Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. 19th century. Pair of cardboard miniatures showing busts of a man and a woman within medallions, these in turn placed in a frame with two hanging points, on a textile upholstery matching that present in the miniatures. Ferdinand II of Portugal (Vienna, 29 October 1816 - Lisbon, 15 December 1885)1 was King “iure uxoris” of Portugal by his marriage to Queen Maria II (1819-1853), from the birth of their son in 1837 until her death in 1853. The miniature of the queen is reminiscent of one in the Royal Collection Trust in England, signed and dated 1852, by Sir William Ross.
· Size: 23,5x2x18 cms. Miniatura: 6x1x8 cms
DECORATIVE ANTIQUES
Ref.: ZF1157A
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Interior. Oil on canvas. Signed and with illegible inscription. COLLADO, Pedro (Valladolid, 1874-1954). Pedro Collado, a teacher of figures such as Félix Cano Valentín, has a body of work preserved mainly in private Spanish and Latin American collections. Stylistically, the work can be linked to pieces of humble interiors typical of the painter's time, differing from many of them in the mastery in the use of light, in composition, etc.
· Size: 55x4x68 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z5820A18
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“Still Life with Sea Bream”, Valladolid, 1943. Oil on canvas. Signed and dated in the lower right corner; titled, with author and located on the back. VIVERO, Asterio (Valladolid, 1899-1975). Still life on a flat background showing a sea bream, accompanied by lemons, a glass, a tray and other elements. Asterio Vivero Soba was a Spanish painter, a disciple of Luciano Sánchez Santarén and teacher of his son Luis Vivero Salgado, a member of the Academy of Fine Arts of the Immaculate Conception of Valladolid.
· Size: 50x4x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z5820A32
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Advertising poster, Magin Rubio Factory. Paper or cardboard. Spain, possibly around 1900. The Magin Rubio Chocolate and Mantecados Factory was located in a modernist mansion built by Eduardo Sánchez Eznarriaga at the beginning of the 20th century to house both production and the home of the company's founder, Magín Rubio González. It currently houses the Astorga Chocolate Museum.
· Size: 22,5x0,1x34,5 cms
ANTIQUES
Ref.: ZF135437
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Landscape. Oil on panel. ALMAGRO, Juan, 1903. Signed and dated (lower left area). Contains errors. Juan Almagro (Pegalajar 1886-Jaén, 1965) was a Spanish painter who began his training in Jaén, winning prizes and receiving a pension from the Provincial Council to continue his studies in Madrid (Special School of Painting, Sculpture and Engraving). In the capital he was a student of Muñoz Degrain, and also received recognition. Apart from making caricatures, he is also known for his landscapes, posters, works on bullfighting themes, still lifes, portraits, etc. After the Civil War he restored and decorated churches. His work is preserved in private collections and in institutions such as the Museum of Fine Arts of Jaén or the Provincial Council of Jaén.
· Size: 41,5x2x28,5 cms. Int 35x22,5 cms
DECORATIVE ANTIQUES
Ref.: ZF136801
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Art Nouveau tray. Metal Tray formed by a base with three holes worked to resemble a leaf. Its upward-curving petiole supports a female figure dressed in a tunic fluttering in the wind. The delicacy of the details, the inspiration from nature, the curves, the female prominence, etc. respond to Modernism.
· Size: 26x31x19 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: E487
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Ref.: S4628
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Centerpiece. Enameled porcelain. Centerpiece made of glazed porcelain consisting of a base with flowers and three young half-naked ladies, raising a shape reminiscent of a flower. It is a piece inspired by the work of some of the main European factories such as Meissen, Capodimonte or El Buen Withdrawal.
· Size: Alt. 46 cms.
DECORATION
PORCELAIN
Ref.: HA029
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Mirror frame, Empire style. Wood, metal. 20th century. Rectangular frame made of wood and decorated with gold metal applications of busts, plant and animal motifs, etc. following classicist models. Both in the shape and in the material and in the decorative elements, a clear inspiration from models of the French school of the 19th century can be seen.
· Size: 118x5x96 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: E341A
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Bookcase. Tropical wood, metal. 20th century. Rectangular wooden bookcase with three shelves, creating four spaces accessible from the front, and two drawers with metal handles in the lower area. It follows old models both in decoration and in the material it is made of.
· Size: 98x34x180 cms
DECORATION
FURNITURE;CLASSIC
Ref.: JA062
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Chest of drawers with two drawers and marquetry decoration. The piece of furniture rests on four cabriole legs with gilt metal finials at the bottom. The waist is decorated with several panels with floral marquetry (one on each side and three on the front arranged horizontally). The two drawers cut through this decoration when opened. The top has a basket with flowers in very light wood inlay on a plate, which is cut out following the lines of the chest of drawers.
· Size: 56x32x78 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: E499
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Oriental chair. Carved and lacquered wood. 19th century. High-backed chair with arms made of lacquered wood decorated with traditional Chinese-inspired carvings. Note the lacquered compositions on the jambs on the front, the shape of the legs, arms and backrest, the geometric decorations and the figurative compositions on the backrest, enhanced by simple frames. This type of furniture was very popular in Europe due to its exotic colours and decorations. Available 4 pcs.
· Size: 57x46x104
DECORATION
FURNITURE;ORIENTAL
Ref.: XF425
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Carved white marble cup. Inspired by classicist models. The cup, with a wide concave mouth, features a carved decoration based on architectural motifs of classical inspiration: raised ovals, bevelled rectangles and lines at the base of the work. This type of creation was widely used since the Renaissance in the main gardens of the time.
· Size: 52x52x52 cms.
DECORATION
MARBLE SCULPTURES
Ref.: Z1685
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Cylindrical base in bronze. With a smooth shaft, it only has a base with a moulding at the bottom and two straight ones at the top. The work stands out for its purity of lines, and the lack of decorative elements helps the element placed on the base to stand out even more. Weight: 21 kg.
· Size: 30x30x73 cms.
DECORATION
BRONZE SCULPTURES
Ref.: V3066
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Oriental console. Polychrome wood, metal. Towards the beginning of the 20th century. Console with a rectangular top, warm decoration with geometric and plant elements on the sides and bottom, and two small doors on the front. The shape of the piece of furniture, its colour and the decorative elements it features are inspired by ancient Chinese examples.
· Size: 113x57x41 cms.
DECORATION
FURNITURE;ORIENTAL
Ref.: XG009
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“Christ the Savior”. Oil on canvas. Spanish school, 17th century. Damage Oil on canvas with a three-quarter view of a bearded Christ, blessing with one hand and holding the Orb of Creation crowned by a cross in the other, in an iconography known as Christ the Savior of the World and already used by masters such as Pedro Berruguete, Leonardo da Vinci, El Greco, etc., both in Europe and South America.
· Size: 53x2x67 cms. int: 45x59
DECORATIVE ANTIQUES
Ref.: Z0264
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Fireplace screen. Mahogany, silk, metal. Possibly English, 19th century. Fireplace screen with a three-base base carved in a balustrade shape and a frame made of carved mahogany wood. The piece has three rectangular sheets of upholstery or fabric in red silk, extendable and retractable, to cover more or less the surface to be protected from the heat of the fireplace fire.
· Size: 56x30x101 cerrado
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0728
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Ceiling lamp. Glass, metal. Ceiling lamp with four lights, consisting of a top piece, three openwork bars that connect it to the main body (also openwork, decorated with plant elements) in which there is a central circular lampshade and three simple curved arms that end in three other orange flower-shaped lampshades. Certain details are reminiscent of works from the beginning of the 20th century.
· Size: 70x70x80 cms.
DECORATION
AUXILIARY LIGHTING
Ref.: L30
